Articles

Michael Brauer - Vocal Parallel Compressors

Ken Scott Vocal Mic Placement For A Live Recording

Ken Scott Minimalist Drum Micing

David Bendeth Doubling Electric Guitars

The REDD Console

Darrell Thorp Using Auto Align To Correct Phase

Streaming Audio In Dolby Atmos On Headphones

Michael Brauer Remixing A Stereo Track

Joe Chiccarelli - Finding The Sweet Spot Of A Console

Fab Dupont - Editing Performances

Jimmy Douglass - The Importance Of Good Samples

Michael Brauer's Parallel Vocal Compression Technique

Vance Powell Faders At Zero

Hammond Organs 101 - How Do They Work?

Vance Powell The Blackbird Neve 8078

Vance Powell Experimenting With Fuzz Distortion Pedal

Vance Powell Checking Polarity On The Mics

Dave Kutch Protecting The Cutter Head

Dave Kutch Vinyl Lathe Overview

Dialing In The Release Time Of A Compressor

Dave Kutch Keeping The Energy Consistent

Dave Kutch Loudness Targets

Jimmy Douglass Outboard Gear On The Mix Bus

Jimmy Douglass EQing Vocals Vs De-essing

Adding Flanger To Backing Vocals W/ Jimmy Douglass

Sub Bass W/ Jimmy Douglass

Fab Dupont How Optical Compressors Work

Vance Powell Creating A Room Sound From Scratch

Jacquire King Session Documentation & Taking Notes

How To Resample In Ableton

Using Track Lanes In Ableton Live 11

Sidechain Compression Vocal Effects

Top Line And Loop Workflow On Ableton

How To Create Vocal Chops With Ableton

Enhance Your Vocal Melodies Using Autotune, Plugins And Midi In Ableton

Adjusting For Delay Compensation When Automating

Using Delay To Help Guitars Sit In A Mix

Starting With A Blank Canvas In Ableton

Monitoring Levels During Mixing

How To Use Ableton Live 11

Jacquire King Using Tom Ringing To Add To The Overall Tone Of The Kit

Tony Maserati Adding Saturation To The Lead Vocal

Jacquire King Creating Custom Drum Samples

Jacquire King Using The UAD Ampex ATR-102 On The Mix Bus

Jacquire King Drum Editing

Tony Maserati The Importance Of Ear Training

Jacquire King Reinforcing A Guitar Tone

Jacquire King Microphone Position On Drums

Oliver Schnee: Thoughts From A Young Film/TV Composer

Jacquire King Listening To The Groove While Tracking A Band

Jacquire King Adding Additional Programming To Your Song

Keeping A Healthy Mindset When Making Mistakes

Jacquire King - Microphone Positions On Guitar Amps

Jacquire King Dialing In The Gain Stage On A Vocal Chain

5 Important Elements Of Being An Assistant

Rich Keller Using Harmonics To Enhance The Mix

Rich Keller's Vocal Distressor Settings

Jacquire King - Checking Phase During Tracking

Jacquire King Patchbay Setup And Routing

Rich Keller Controlling 808s

How To Find The Information You Want On Puremix

Matt Ross-Spang Automation Modes In Pro Tools

Matt Ross-Spang Arranging Parts To Complement Each Other

Matt Ross-Spang Setting Up The Perfect Headphone Mix

Sidechain Compression On Vocal Delays

Creating A Common Space With Reverb

How To Choose A Preamp | Matt Ross-Spang

Drum Overhead Mic Placement | Matt Ross-Spang

Drum Replacement | Fab Dupont

Vance Powell Desk VS Converter Output

Parallel Compression Vocals | Vance Powell

How To Use A Vocoder | Vance Powell

Parallel Drum Compression | Adam Hawkins

Tony Maserati Adding Rhythmic Delays

Vance Powell Tiny Mic, Tiny Amp, BIG Sound

Vance Powell The Spin Fader Trick

Vance Powell Bass DI/Amp Phase Alignment

Vance Powell Sprinkle To Taste Mic Trick

Recreate Illiterate Light's Faux Bass Sound

Indie Rock Song Structure | Vance Powell

Pultec Low End Trick | Fab Dupont

Subharmonic Bass Enhancer | Mick Guzauski

Greg Wells Experimenting In The Studio

Bass Amp Simulators | Greg Wells

LA-2A Emphasis | F. Reid Shippen

Using Auto-tune On Vocals | Greg Wells

Add Air To Vocals | F. Reid Shippen

Greg Wells Using A Mono Drum Kit Mic

Greg Wells Mic Phase

1176 Settings On Vocals | Greg Wells

Compression On Piano | Greg Wells

How To Find Clients Online

Chord Substitution | Greg Wells

Fab Dupont I-O Inserts

Joel Hamilton Syncing Multiple Computers

Chris Mara How To Listen Vintage Mic Preamps

Microphone Polar Patterns | Simon & Greg

Brian Lucey Limiting And Saturation

Parallel Drum Compression | Jacquire King

Mixing With Tube Preamp | Fab Dupont

John Paterno Variable Mu Compression

Brian Moncarz Creating Dynamics

Brian Moncarz Manley Massive Passive EQ

Add Reference Plugins Into Your Workflow

UAD Helios & Neve 88RS | F. Reid Shippen

Transient Shaper | Fred Everything

Andrew Scheps Inline & Split Line Consoles

John Paterno File Management

Andrew Scheps "Drums Dirt" Bus

Simon & Greg Record The World S01E06

Mick Guzauski Stereo Bus EQ

Delay Throw On Vocals | Chris Lord-Alge

Jacquire King On Bass Polarity

Organizing Pro Tools Sessions With CLA

Simon & Greg Record The World S01E05

Simon & Greg Record The World S01E04

Simon & Greg Record The World S01E03

Simon & Greg Record The World S01E02

Simon & Greg Record The World S01E01

Fab Dupont Making Electric Guitars Sit In A Mix

SSL Bus Compressor | Fab Dupont

Mixing Upright Bass | Fab Dupont

Mixing Jazz Piano | Fab Dupont

Understanding Plug-In Delay Compensation

M/S EQ During Mastering With Fab Dupont

Shape Of The V With Brian Lucey

Chris Lord-Alge Mixing Vocals In-The-Box

How To Avoid The Tool Menu In Logic Pro X

Gain Staging Your Session

Filter Automation | Fred Everything

Getting Wide Mixes

Carlos Bedoya Working With The Cajon

Fred Everything Hi-Hat Mixing Tricks

How To Listen To Pre-Delay | Fab Dupont

Plate Reverb: Plug-in Vs. Hardware

Limiter Vs Compressor | Andrew Scheps

Hearing Compression On Vocals | Fab Dupont

An Interview With Bob Rock

Vision For The Mix With Ryan Hewitt

Complex Plate Reverb With Ryan Hewitt

Break Free Of The Loop W/ Fred Everything

How To Process Lead Vocals | Mark Needham

Stereo Bus EQ With Darrell Thorp

Mix Bus Compression | Darrell Thorp

Ask The Pros: What Is Easier/Harder Now?

Mix Bus Processing With Al Schmitt

The Sweet Sound Of Tape W/ Darrell Thorp

Parallel Drum Compression | CLA

Al Schmitt Using Bass DI

Mixing With Indirect Mics | CLA

Ask The Pros: When Is The Mix Done?

There's A Compressor On The Bus

EDM Mastering In Today's Hybrid Studios

Ask The Pros: Oldest Piece Of Gear

Combining Virtual And Acoustic Instruments

Double-Tracking Rock Electric Guitars

Ask The Pros: First Internship Lessons

Ask The Pros: First Piece Of Pro Gear

Recording Cajon And Mixing Tips

For Your Consideration (2017 Grammy Awards)

Stuck In The Mix Part 2: Solutions For A Troubled Mix

Keep Your Mixes Sounding Fresh

Stuck In A Mix Part 1: Perspective

How To Handle Mix Critique | John Paterno

Practical Approach To Acoustics, Rooms & Speakers

Reference Mixes: Why You Can’t Mix Without Them

A Mix Chronicle - A Chaque Fois

Multi-Miking Acoustic Guitar

Drum Samples Enhancements Survival Guide

Are All Audio Cables The Same?

Keeping Collaborative Sessions In Sync

Musical Instruments

Clean Up After Yourself

Things To Listen For When Choosing A Vocal Mic

Mic Shootouts For Vocal Recordings

Bit Crushing

Fab Dupont On Achieving A Great Vocal Sound

Where Should I Begin?

Recording Drums With Lauten Audio Microphones

Simple Suggestions For Being A Better Engineer

Vocal Recording Checklist

Pultec Plugin Shootout

How To Reamp, Getting Out Of The Box

Back Up From The Mic For Better Vocals

The Hard Truth: There Is No Magic Bullet

Loudness Monitoring Tip

Clear Evidence Of Discrimination In The World Of Recording

Is Studio Recording Killing Music?

Not All EQs Are Created Equal

Bass Drums And Life In The Low Lane

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